Friday, February 5, 2010

commUNITY case study


Wolfson Building





- Named after Sir Isaac Wolfson who funded the building in 1966.

-This structure was built for undergraduate students at Somerville College in Oxford, England.

- It was one of the first women’s colleges to be founded in Oxford, England.

- The college is located at the southern end of Woodstock Road, with Little Clarendon Street to the south and Walton Street to the west.

- Somerville College was converted into a hospital during World War I.

- It completes the enclosure of the Somerville’s large quad.

- Rooms face onto Watson St. and onto the quad.

- The staircases, located in the freestanding brick towers at each end of the block, form connections between the new concrete structure and its older neighbors.

- Each room has a very large singe-pane square window.

- The window projecting beyond the line of columns forms a lookout post and provides good light for the working wall that carries desks and bookshelves.

- The windows all reflect images of the other buildings located in the quad, bringing them all together.

- On the bottom floor of this building is the “Flora Anderson Hall” where many social events are held.

- Dorms hold events where people meet new friends.

- Living on campus creates a better sense of community and comfortability by seeing the same people each day.

- College campuses have everything you need within a small amount of land. There is food, lodging, social activities, clothing stores, and art supplies right on campus. You can stay in one place and still have everything you need.

- The dorms vibrant social life draws many students to it.

Grant Houses



-General Ulysses S. Grant Houses is a public housing project at the northern boundary of Morningside Heights in Manhattan, New York.

-The project is located between Broadway and Morningside Avenue, spanning from 123rd Street/La Salle Street to 125th Street.

-The subways lines are 2 to 3 blocks away

-The bus lines are 1 to 2 blocks away

-General Ulysses S. Grant Houses in Manhattan consists of nine buildings, 13 and 21-stories tall with 1,940 apartments housing an estimated 4,519 residents. The 15.05-acre site was completed September 30, 1957 and is bordered by West 123rd and West 125th Streets, Morningside Avenue and Broadway.

-The complex, with the adjacent Morningside Houses, was completed in 1957.

-"At Grant Houses, for instance, 'bricks of mixed pink and buff' were added, with limited success, to break up the monotony of identical brick towers. The designers poorly integrated the colored bricks and they appear as an odd afterthought" (Bloom, 141).

-For maximum sunlight exposure the homes lie directly north of Morningside Gardens, which is a middle income cooperative in Morningside Heights.

-The New York Times noted the racial identification of the first five families to move into the Grant Houses, each from a different racial background.

-At Grant Houses, a few neighbors cared enough about the state of their community, their city and their environment to raise their recycling rate from zero to thirty percent. They've not only made it easy, they've made it possible for tenants here to do the right thing and recycle.

-Coming together for this single cause (to recycle)

-Different people living in one place (has same effect as a dorm)

-The garden project will primarily serve to provide low income grant housed residents access to nutritious and sustainable food.

-The garden project will increase interaction between the Grant Houses

-Lead to the cultivation of personal relationships between university students and Grant Houses residents, and helped to shape a collective vision


Works Cited
Bloom, Nicholas Dagen. Public Housing That Worked: New York in the Twentieth Century. University of Pennsylvania Press. Philadelphia 2008

Maxwell, Rober. New British Architecture. New York: Praeger, 1973. Print.

Monday, February 1, 2010

photoshop progression






for visual communication, our assignment was to use what we learned in photoshop to convey two words. mine were energetic and mysterious. i was not happy with the first three iterations. after trial after trial, i finally decided on the last image as my final composition.

Wednesday, January 27, 2010

think about it...




designers have to be aware of a variety of factors. we affect how people use a space, how they feel in it, how they interact with it... we have to be ware of the people and the environment. projects like this and others bring awareness to others of exactly what we do. we have to work with what we're given, but create a sense of place. having a sense of place / comfort / security is fundamental for human beings in any situation. with the disaster in haiti, those people still need to feel that sense of place even in the midst of a catastrophe. projects like this bring awareness to the importance of providing aid to help restore that comfort and well-being.

Sunday, January 24, 2010

makeshift shelter : experience

today is unseasonably warm for a winter in greensboro. it is sixty degrees, the sun is shining, and the campus is full of life. it is the perfect day to relax and escape the stresses of school and work. sitting here, i become more aware of all the activity surrounding me. the tree whose leaves wave in the gentle breeze. the student running to avoid being late. the couple tucked away under a tree trying to salvage what little privacy they have. each direction yields something new, both inside and outside this cozy space. as energy and inspiration flow through me, i can't wait to record the world around me. with a blank sketchbook in hand, i pick up the pen not knowing where to lay the first stroke. vibrant colors, patterns, textures, people surround me, vying for my attention. all fighting to be the subject of my artistic expression. the thought energizes yet soothes me because i am in control. the possibilities are endless.

blue group!!

new year, new studio. our first project of 2010 is to design a makeshift shelter for sketching using only found objects. my group members are paris, hope, david, and pamela. while i am excited about the project, i am also aware that this will present many challenges. the fact that all materials must be found is the biggest. since we have no idea what materials are available, my group has decided to begin collecting materials before working on the design itself. hopefully after seeing the materials we will have a better grasp of what can and cannot be done.

Wednesday, November 25, 2009

case piece :: pantry


this is just a snippet of my final studio project. we each designed a customized case piece for the space. mine was a pantry. it has a pentagonal shape with a tv, cabinet for ipod dock, and dry-erase board on the exterior. because of brother ali's hip-hop background, i felt the music and tv were important to make the space feel personalized.

concept composite


our final project in studio is to design a residential kitchen for a celebrity. my client is brother ali and i chose a geode for my concept. i felt this fit him because he has two sides [hip-hop artist vs. family man]. the center of a geode is bright, bold, and unexpected, all qualities that i find in brother ali after researching him.