the ranch we designed was located at 602 rockford road in greensboro. based on a painting entitled 'no. 1' by konrad cramer, my design vision was about seeing the big picture first, then observing the details. geometric forms and bold blocks of color greet the eye initially. as the viewer moves into the space, subtle patterns on surface treatments and intimate details reveal themselves. the overall goal was to recreate the experience i had when viewing cramer's artwork.
Showing posts with label third year. Show all posts
Showing posts with label third year. Show all posts
Friday, November 5, 2010
Wednesday, October 6, 2010
Monday, October 4, 2010
magazine research

we researched home and design magazines throughout history. the magazine i was assigned was better homes and gardens for 2009. the recurring ideas for the year were home organization, achieving high style for low cost, mixing styles and patterns, using color and accessories to transform a space, and living a well-balanced lifestyle in all areas.
great buildings
our first assignment of the semester was to research great buildings from history. i researched villa capra [vicenza, italy - 1566 - andrea palladio] and casa rotonda [stabio, switzerland - 1980-82 - mario botta]. both feature a centralized plan accentuated with natural light at the center. situated in the countryside, the residences are carefully positioned take advantage of the views while holding a specific dialogue with the landscape. villa capra was a residence used for entertaining and display of status. on the contrary, casa rotonda's role was that of a traditional private residence.

botta's intention with casa rotonda was to make the shell circular to eliminate any true facade, thus preventing any direct confrontation with surrounding buildings. the dialogue was between the landscape and the distant horizon. a central north-south sky light floods the interior with light, placing emphasis on the central corridor.

when desiging villa capra, palladio intended to provide a compass, a blueprint of the ideal building. the geometric nature of the plan and overall symmetry are imitated for years to come all over the world.

botta's intention with casa rotonda was to make the shell circular to eliminate any true facade, thus preventing any direct confrontation with surrounding buildings. the dialogue was between the landscape and the distant horizon. a central north-south sky light floods the interior with light, placing emphasis on the central corridor.

when desiging villa capra, palladio intended to provide a compass, a blueprint of the ideal building. the geometric nature of the plan and overall symmetry are imitated for years to come all over the world.
Wednesday, September 15, 2010
course expectations
based on the name of our studio (bungalow : ranch : [mcmansion] : high-rise), i think it's safe to assume we are focusing on residential design this semester! having taken classes with patrick before, the studio will place emphasis on precedent studies. research into the background of a site, building type, or specific building paired with the investigator's own experiences will be allow us to synthesize a complete understanding of the world around us. from this studio, i hope to develop strategies to deal with all types of residential design. i also hope to learn more about my design process and refine it to make me more productive and holistic as a designer. i'm excited about what the studio has to offer!
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